Thanks to…

Nomads Guinea – Actual projects

Economical support and local teachers formation for Audio/video courses

Free Internet station

Cinemá ambulant free cineforum on african emigration topic

Donation of French schoolbooks

 

Who make the project possible

Nomads: Selforganized colletifs network of volountary workers self financed trought events in open spaces.

Notre Monde: no profit ngo, acrobatic dance school for homeless.

Junior Art Club: no profit ngo, Accra Ghana, partners in self financing events.

Tina Fan, Guinea Conakry.

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Refugees welcome

Nomads was invited, for research propose for our internationalist work and solidarity to the refugees, from the non-profit organization KIB: KUB in Brandenburg that makes consultancy to migrant and refugees people, to visit the lager of Eisenhüttenstadt and the day after to boycott the manifestacion of the neo-Nazi party NPD (national party germany) against immigrants and first reception centers. Continue reading

30-1-2013 Nomads Africa @ Zielona Gora

Nomads
Internationalism and grassroots cooperation
20.00 Uhr: Vokü (vegane Solipizza)
21.00 Uhr: Nomads Africa präsentiert “Cinéma Ambulant Projet” (Travelling Cinema Project)
21.30 Uhr Doku: “Donka, Radioscope d’un hopital africaine” (Guinea 1997, Thierry Michel, 59 Min., frz. m. engl. UT) – Donka Hospital in Conakry, Guinea – the largest public hospital in the country – is similar to many African hospitals. Built in 1959 just before independence, it was designed based on a European model, with little consideration for the realities of Africa. The most important hospital in the country, its plight typifies the crisis affecting the entire African health sector. Over the years the hospital has accumulated substantial debt that neither the Guinean state nor international agencies will pay. Compelled to develop its financial autonomy, the hospital enforces a pay-as-you-go policy. This financial strategy is rigorously applied, but at a high human cost. In this hospital of last resort, families strive to save a child or parent, but without money, there are no drugs and little chance for survival. Revenues rise, but access to treatment diminishes.As we follow the floor-to-floor progress of patients, their families, doctors and nurses, portraits alternate to form a living chronicle where tragedy meets hope.